Graham Priest has influentially claimed that the Sorites paradox is an Inclosure paradox, concluding that his favored dialetheic solution to the Inclosure paradoxes should be extended to the Sorites paradox. We argue that, given Priest’s dialetheic solution to the Sorites paradox, the argument purporting to show that that paradox is an Inclosure is unsound, and discuss some issues surrounding this fact.

One of the main problems that Paul Horwich’s Minimalist theory of truth must face is the generalization problem, which shows that Minimalism is too weak to have the fundamental explanatory role Horwich claims it has. In this paper, I defend Horwich’s response to the generalization problem from an objection raised by Bradley Armour-Garb. I also argue that, given my response to Armour-Garb, Horwich’s proposal to cope with the generalization problem can be simplified. -/- L’un des principaux problèmes auxquels la théorie (...) minimaliste de la vérité de Paul Horwich doit faire face est le problème de la généralisation. Horwich soutient que le minimalisme a un rôle explicatif fondamental, mais le problème de la généralisation montre que cette théorie est trop faible pour tenir ce rôle. Dans cet article, je défends la réponse d’Horwich au problème de la généralisation à partir d’une objection soulevée par Bradley Armour-Garb. Je prétends également que ma réponse à Armour-Grab nous permet de formuler d’une manière plus simple la réponse d’Horwich au problème de la généralisation. (shrink)

In this paper I introduce Horwich’s deflationary theory of truth, called ‘Minimalism’, and I present his proposal of how to cope with the Liar Paradox. The proposal proceeds by restricting the T-schema and, as a consequence of that, it needs a constructive specification of which instances of the T-schema are to be excluded from Minimalism. Horwich has presented, in an informal way, one construction that specifies the Minimalist theory. The main aim of the paper is to present and scrutinize some (...) formal versions of Horwich’s construction. (shrink)

In recent years, some authors have proposed quantitative measures of the coherence of sets of propositions. Such probabilistic measures of coherence (PMCs) are, in general terms, functions that take as their argument a set of propositions (along with some probability distribution) and yield as their value a number that is supposed to represent the degree of coherence of the set. In this paper, I introduce a minimal constraint on PMC theories, the weak stability principle, and show that any correct, coherent, (...) and complete PMC cannot satisfy it. As a matter of fact, the argument offered in this paper can be applied to any coherence theory that uses a priori procedures. I briefly explore some consequences of this fact. (shrink)

En torno a la simplificación que liga el término "postmodernidad" con el final histórico, cronológico, de la Modernidad se concitan dos posiciones opuestas: la de quienes (en la estela de Habermas) denuncian el talante conservador y apocalíptico, anti-moderno, de buena parte de los filósofos del siglo XX, especialmente en sus últimas décadas, y la de quienes (por ejemplo, Lyotard) celebran la caída de los referentes clásicos. Lejos de tal dicotomía, se trata de realizar del ambiguo "post" una lectura atenta no (...) a la noción de tiempo sino a la de lugar o espacio semántico: la postmodernidad no vendría a finalizar nada, antes al contrario, se trataría de una perspectiva práctica desde la que entender los problemas aún vigentes de la Modernidad, de la que el "post" antepuesto sería modulación radical, extremo Kunstwollen, voluntad crítica basada siempre en la descreencia última en toda trascendencia, incluida la propia de la lógica moderna del progreso y la emancipación. (shrink)

La finalidad del presente ensayo consiste en partir de las nociones interrelacionadas de "capitalismo mundial integrado" (Guattari) y de "sociedad de control" (Deleuze) para intentar una deriva que cruce géneros, épocas y nombres propios: de la filosofía al cine y a la poesía (caminos de ida y vuelta), de Benjamin a Serres pasando por Homero, Kavafis, Cioran o Godard, del tardío imperio romano y sus incertidumbres a la imprecisión de nuestro propio tiempo. Posiblemente, pensar hoy la identidad humana sea como (...) nunca antes un asunto de mezcla, de viaje a través de territorios viejos que demandan una nueva cartografía. -/- The purpose of this essay is to depart from the interrelated notions of "whole global capitalism" (Guattari) and the "control society" (Deleuze) to attempt a drift across genders, epochs and proper names: from philosophy to cinema and poetry (roundtrip roads), from Benjamin to Serres, passing through Homer, Kavafis, Cioran or Godard, from the late Roman empire and its uncertainties to our own time. Possibly, thinking today about human identity is as never before, a matter of mixture, of travel through old territories that demand new maps. (shrink)

Leyendo algunos textos «marginales» de Jacques Derrida, especialmente en sus últimos trabajos, desde la perspectiva de las relaciones entre la experiencia biográfica y los intereses filosóficos, este ensayo trata, por un lado, de las reflexiones del filósofo acerca del cine como un desarrollo de la tradición contemporánea fundada muy particularmente por Walter Benjamin y Hugo von Hofmannsthal; y por otro, el artículo se centra en el «fantasma» o «espectro»: un concepto básico a la par que clásico tanto del cinematógrafo como (...) del psicoanálisis. De este modo, se quiere mostrar cómo el pensamiento derridiano introduce una variación radical y original en la estética moderna, incluyendo su primera o primitiva acepción: «percepción por los sentidos». -/- Based on the reading of some marginal texts of Jacques Derrida, especially his later works, from the perspective of the relation between biographical experience and philosophical interests, this essay deals, on one hand, with this philosopher´s reflections as to Cinema and its development as a contemporary tradition, as founded very particularly by Walter Benjamin and Hugo von Hofmannsthal. On the other hand, this papers concentrates on another basic and also classical concept of Cinema and psychoanalysis: the concept of phantom or spectre. In this way, the intention is to show how derridian thought introduces a radical and original variation in modern esthetics, including its first or primitive acceptation or perception by the senses. (shrink)

L’obra Somnis d’un visionari, il·lustrats mitjançant els somnis de la metafísica (1766) d’Immanuel Kant presenta un tractament juxtaposat i obertament irònic de dues temàtiques a primera vista heterogènies: la manera de fer metafísica habitual al context germànic del s. xvii i les visions sobrenaturals d’Emmanuel Swedenborg. Aquest article revisa una ambivalència interpretativa interna a l’obra, inicialment identificada per Moses Mendelssohn, que sorgeix d’aquesta juxtaposició temàtica. Segons les dues postures oposades de l’ambivalència pot classificar-se la recepció històrica de l’obra. Seguidament, es (...) mostra la insuficiència d’algunes estratègies habituals d’interpretació del text, i se’n proposa una de nova basada en dues nocions del text, a saber, la voluntat d’assegurar un món comú i la noció de saviesa. A partir d’aquestes nocions i d’una carta que Kant escriu a Mendelssohn s’aporta una lectura del text que, finalment, se situa en referència a les dues lectures de l’ambivalència interpretativa presentada inicialment. -/- Immanuel Kant’s Dreams of a spirit-seer elucidated by dreams of metaphysics (1766) presents a juxtaposed and openly ironic treatment of two apparently heterogeneous subjects: the way of doing metaphysics common in the Seventeenth-Century German context and Emmanuel Swedenborg’s supernatural visions. This article reviews an interpretative ambivalence internal to the work originally identified by Moses Mendelssohn, which springs from its thematic juxtaposition. One may classify the work’s historical reception according to the two stances on the ambivalence. Furthermore, the insufficiency of some common strategies for interpreting the text will be shown, and a new one is proposed on the basis of two notions that appear within the text, that is, the will to ensure a common world and the notion of wisdom. As a result of these notions and on the basis of a letter that Kant wrote to Mendelssohn, a reading of this work is proposed, which is finally situated with respect to the two readings of the interpretative ambivalence initially presented. (shrink)

Resumen: Resulta incuestionable la importancia que el filósofo francés Gilles Deleuze otorga al cinematógrafo. Conforme a su teoría del conocimiento, si la filosofía "piensa" mediante conceptos, el cine "piensa" mediante imágenes: se trata de un medio de creación artística a la vez que de reflexión (distinta de otras formas de "escritura") acerca de los problemas de la condición humana. De hecho, afirmamos que el propio pensamiento de Deleuze guarda mucho en común con las técnicas cinematográficas, al igual que sucedería en (...) la literatura del siglo XX, por ejemplo en James Joyce (en lengua anglosajona) y Jorge Luis Borges (en lengua castellana). -/- Abstract: There is no doubt as to the importance that cinematography has for the French philosopher Gilles Deleuze. According to Deleuze's theory of knowledge, just as philosophy "reasons" through concepts, cinema "reasons" by means of images. Cinema is a means of artistic creation and at the same time reflects in a way distinct from writing on the problems of the human conditions. In fact, this essay argues that Deleuze's own thought had much in common with cinematographic techniques, a relation which occurred in the twentieth century literature of James Joyce (in the English language) and Jorge Luis Borges (in the Spanish language). (shrink)

Imagine a sculptor who molds a lump of clay to create a statue. Hylomorphism claims that the statue and the lump of clay are two different colocated objects that have different forms, even though they share the same matter. Recently, there has been some discussion on the requirements of consistency for hylomorphist theories. In this paper, we focus on an argument presented by Maegan Fairchild, according to which a minimal version of hylomorphism is inconsistent. We argue that the argument is (...) unsound or, at best, it just points to a well-known problem for hylmorphist theories. Additionally, we explore some general consequences of this fact. (shrink)

The change in the semantics of the word ‘subject’ in the epistemological-metaphysical meaning is a conceptual development which may be observed by historiographical means in various languages: it shifts from signifying a thing itself to a cognizing being which can consider things. From this development onward, some of the differentiated senses of the term ‘subject’ have ended up narrowly linked to one another. In particular, in philosophical contexts the juridical-political subject and the epistemological-metaphysical subject coalesce at the beginning of the (...) 19th century. The conceptual developments that are correlated to this linking of meanings can be traced from medieval scholasticism and the modern political tradition, through German Enlightenment to Immanuel Kant’s works, and is finally traced to some of the consequences for the current understanding of subjectivity in contemporary thought. (shrink)

Ressenya de l'edició i traducció de Pere Lluís Font de Blaise Pascal. Pensaments i opuscles. Original en català.

Symposium on Christopher Bennet's The Apology Ritual. A Philosophical Theory of Punishment [Cambridge University Press, 2008].

This is the story of how the noble squire Sancho Panza, while governing what he thought to be an insula, ingeniously solved a paradox not unlike those of modern logic.